 |
| A Metal Man and the Colossus of Kiev |
And so we gathered together again - from Britain, Hungary,
Switzerland, Denmark (et cetera, et cetera) though mostly from Russia
and Ukraine - over Easter 2006 for the Eurocon, this time in Kiev, the
furthest to the east a Eurocon has been held so far.
Usually you're lucky if a local mayor turns up at a Eurocon, but in Kiev
the opening ceremony, with dramatic banner for backdrop, was thronged,
and attended by two government ministers, and ended with the Ukrainian
national anthem heroically sung by massed choirs through giant speakers.
Half of Ukraine wants to join the EU, and half is pro-Moscow, an awkward
situation, so this ceremony seemed to say that if a European Science Fiction
Convention meets in Kiev, Ukraine is almost part of Europe. I heard that
some pro-Russian Ukrainians deliberately stayed away as they didn't support
this viewpoint.
Aside from a multitude of towering new apartment blocks going up (looking
well designed, at least on the outside) a first impression of Kiev is
of battered little buses which wait until they're full before setting
off, whereupon all the packed passengers pass their money forward hand
to hand with great honesty to the driver, and he passes change back, whilst
presumably he pays some attention to other traffic. Then you notice a
Bentley leaving the road to drive along a wide pavement to stop outside
a bank, or a casino - never have I seen so many of both, often for convenience
next door to one another. Old women sit on subway steps hoping to sell
a few buns, while down below is a de luxe shopping mall. Not
to mention an elegant metro with the longest, deepest, fastest escalators
I've ever seen, the cost of traveling anywhere on it mere pennies.
For all non-Russian-speakers our hosts recruited personal translators
from some of the many Kiev schools that teach in English; and wow, were
they fluent, and tall for approximately 15 years old. This was of course
useful, though it became a bit of a burden if a flock of translators accompanied
a few of us into a pub or café, since we felt we ought to pay for
those schoolkids - not that they were in the least greedy, just that Kiev
seemed an expensive city unless you're a bun-lady outside of the Dior
and Bentley economy. Stop at an ATM to extract more Hryvna!
A sumptuous publisher and writer reception (sort of) didn't produce any
actual business; my Russian agent Alexander advised me to get drunk instead.
Wonderful Imants had hoped to bring my Whores of Babylon in his
Latvian edition to Kiev, but Imants paid the translator, an alcoholic
poetess, in advance so she drank instead of translating. Even so, Imants
was to win a Eurocon award for Best Publisher; and quite right too - any
publisher who pays translators in advance is a paragon! (I'll visit Latvia
in the Autumn for the launch of Whores, after Imants has detoxified
the poetess. Incidentally, many speakers of Euro-English believe that
"bitch" equals "whore," which lends a new meaning
to "Stop bitching, will you?")
Sergey Slussarenko stroked his whitening beard whimsically after receiving
the Eurocon Encouragement Award. We went to a birthday party at Sergey's
flat, which wasn't new, so the electricity failed and the only clue to
events came from camera flashes. In such circumstances all you see are
retinal afterimages, so you experience a situation only after it already
happened, an interesting time-slip effect. Due to darkness, I sat upon
Sergey's large amiable woolly dog. Only when I shifted and tried to pull
the comfortable cushion with me did I discover that the cushion was alive.
Peter and Roberto and I decided against a day trip to Chernobyl. Rain
(of which there was plenty) would have dampened down the dangerous dust,
but we could already well enough imagine desolate melancholy and trees
growing through the roofs of abandoned cottages, and we were avoiding
mushrooms which concentrate radioactivity more than any other foodstuff.
So instead we went to see the huge weird house designed by architect Vladislav
Horodetsky, an admirer of Gaudí, who erected this residence as
a challenge on a steep hillside - five floors on one side, three on the
other - and adorned it with protruding elephants' and rhinos' heads. Giant
frogs squatted along the parapet, and creatures resembling Chthulhu dangled
over. Halfway along the nearby gloomy Pasazh, where the arty crowd used
to hang out, we came upon larger-than-life Horodetsky himself having coffee
at a table on which lay his book about big game hunting in Africa, all
in metal.

Tough Security chaps scrutinised us whenever we entered
the Hotel Sport beside the convention centre. A nearby coffee bar and
pizza place with beer-hall at the back, which many of us settled on as
a watering hole, also had its own Security. Pizzaria Security and hotel
Security teamed up in the middle of one night to bang on the door of Hungarians
Sandor, Jun, and Attila, hunting for Jonathan Cowie, convinced that he'd
stolen a cushion from the pizzaria, since a CCTV camera caught a slim
bespectacled person doing so, and Jonathan fitted this profile. When we
escorted the innocent Jonathan to our watering hole in the morning to
sort things out, lo, a mystery man had already thrown a cushion in through
the doorway, and run away. That mystery man later confessed with - let
us say - a Gallic shrug, that he was sleeping on a floor in the
Sport and wished to be more comfortable. More challenges from a mischievous
universe awaited Jonathan, although over these I draw a veil of sub
judice.
Mist and rain veiled the city much of the time; however, in a park full
of palaces, Roberto discovered the Colossus of Kiev, a heroic Soviet-era
statue of a rural doctor braving the elements with his black bag:

|